There is something rather sweet about seeing someone encounter an iced-up car for the first time. JT stood giggling and took photos of the frost covering the windscreen while I insisted that he switch the engine on. It suddenly feels like winter, although, luckily, there’s no snow, just beautiful blue skies and sunshine which falls warmly against your face. This wintery Chile is new for me.
We drive through the surrounding countryside, cross rivers and streams, and I stare at the swathes of trees. I wonder if this is how England looked, before the green and pleasant land was cleared to make way for fields. We’re in a land of trees, of forests and forestry and deforestation. At night, the smoky air catches in your throat. Heating your house through a wood burning stove costs fewer pesos than the alternatives.
Despite the smoke, Temuco itself is surprisingly pleasant. I say surprisingly because I had the impression it was going to be a rather ugly place and best ignored, an impression which doesn’t fit my experience. In fact, it seems a pretty normal Chilean city, just with a few more Wenufoyes, Mapuche flags, than normal. Strangely, and I guess this is what travelling does to you, I find myself reflecting that this fight for respect entails fewer flags than in Catalunya or Northern Ireland. I stare at signs written in Mapudungun trying to decipher them and fail.
Ugly is a strong word, and it leaves me curious. Things clearly can get ugly in Temuco – there’s an official state of emergency here due to the anti-government violence that erupts from time – but I wouldn’t know about it if I hadn’t been told. I apply my usual tactic of observing, I presume that if there are other solitary women calmly walking down the street, I’m probably going to be alright. Occasionally, amid the normal graffiti and locked-up buildings wearing metal shutters, you come across some beautiful street art, images of nature and Indigenous people, harmonious and calm.
This is what I image when I think of a Chilean city: a centre of slammed together buildings, triangular German roofs on one street and flat corrugated iron ones on the next; a carcass of concrete; next door, a delicate wooden hall, church or home, maybe painted pink, but built by carpenters who really knew their craft, that somehow survived the earthquakes; suburban blocks of houses, in rows, box after box printed on the earth in perfectly straight lines; a set of Greek style columns, half hidden from view; a beautiful wooden sculpture of a smiling child. But this is just my image, drawn in my mind. And I am just a traveller, passing though.